Suron I

Straightening Plates _ concrete, moss, iron, 6 × 23 × 60 cm

My Mother, the River - 1992 _ c-print, 80 × 50 cm

Levitated Expansion_ EPS, levitation device, 139 × 20 × 20 cm

Paysage Composé _ oil on canvas and wood, 30 × 20 cm

Larva Love _ stones, beeswax, oil paint, 9 × 17 × 22 cm

Hündeler _ reed, plastic, 15 × 35 × 120 cm

Queer Friends Never Let You Down _ various mushrooms, nail polish, each approx. 5 × 5 × 10 cm

Strafbefehl inkjet on paper 21 × 29.7 cm

Pesticides _ chemicals, plastic bottle, paper, cardboard, approx. 19 × 15 × 10 cm

River Antics _ plastics, objects, inkjet on paper, approx. 30 × 70 × 70 cm

Boys in a Car _ paper, 20 × 15 cm

Native Salmo Trutta Fario _ inkjet on paper, each 21 × 29.7 cm, pictures by Sekt. Jagd und

Fischerei Kt. AG

A straightened river became the starting point for an artistic exploration of memory, loss, and queer hope. Through found objects, photographic fragments, and sculptural gestures, a portrait of a vulnerable ecosystem emerges. The work weaves together familial traces with agricultural exploitation and personal appropriation.